Lot 220
  • 220

ROBERT LONGO | Untitled (Halo)

Estimate
80,000 - 120,000 GBP
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Description

  • Robert Longo
  • Untitled (Halo)
  • signed and dated 07
  • charcoal on paper, in artist's frame
  • 189 by 255 cm. 74 3/8 by 100 3/8 in.

Provenance

Margo Leavin Gallery, Los Angeles
Private Collection, Santa Monica
Sotheby's, New York, 15 May 2013, Lot 538
Acquired from the above by the present owner

Literature

Hal Foster, Robert Longo: Charcoal, Ostfildern 2012, p. 25, illustrated in colour and pp. 134-35, illustrated in colour

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly warmer in the original. Condition: This work is in very good condition. Close inspection reveals a few tiny scuffs to the extreme outer edges of the artist's frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“Photography is our culture’s collective memory. I try to make my work not look too photographic, and at the same time I do not want them to have a drawn look. They have to occupy a middle ground. From a certain distance, they should put into question, ‘could that be a photograph?’ Then, the closer you get, you become aware of the fact that they are drawings and you’re pulled into an intimacy with them as a consequence” (Robert Longo in conversation with Caroline Smulders, ‘An Hour with Robert Longo’, in: Robert Longo, New York 2009, p. 34).