DA UNA IMPORTANTE COLLEZIONE PRIVATA ITALIANA
Lucio Fontana
CONCETTO SPAZIALE (FORMELLA)
SIGNED, GLAZED CERAMIC. EXECUTED IN 1961-62. THIS WORK IS REGISTERED IN THE FONDAZIONE LUCIO FONTANA, MILAN, UNDER N. 1464/1
SIGNED, GLAZED CERAMIC. EXECUTED IN 1961-62. THIS WORK IS REGISTERED IN THE FONDAZIONE LUCIO FONTANA, MILAN, UNDER N. 1464/1
LOT SOLD.
100,000 EUR
Details & Cataloguing
Arte Moderna e Contemporanea
|
Milan
Milan
Lucio Fontana
1899 - 1968
CONCETTO SPAZIALE (FORMELLA)
SIGNED, GLAZED CERAMIC. EXECUTED IN 1961-62. THIS WORK IS REGISTERED IN THE FONDAZIONE LUCIO FONTANA, MILAN, UNDER N. 1464/1
SIGNED, GLAZED CERAMIC. EXECUTED IN 1961-62. THIS WORK IS REGISTERED IN THE FONDAZIONE LUCIO FONTANA, MILAN, UNDER N. 1464/1
firmato
ceramica riflessata
cm 29x40x3,5
Eseguito nel 1961-62
Read Condition Report
Read Condition Report
ceramica riflessata
cm 29x40x3,5
Eseguito nel 1961-62
Opera registrata presso la Fondazione Lucio Fontana, Milano, con il n. 1464/1
Provenance
Collezione Carmelo Cappello, Milano
Catalogue Note
“E sinfonia fu: intensa, ritmata, avvolgente; dalle sculture alle ceramiche, dalla superficie alla materia, essa si proporrà in maniera così travolgente e innovativa da oscurare perfino la sua origine. (...) Dalle disseminazioni di pietre ai turgori di una materia distesa secondo curvature astrali, dai Buchi ai Tagli, dai tepori del pigmento alle rarefazioni del bianco: da ognuna di queste tipologie […] s’innalza il ritmo incalzante di un tempo virtuale e di uno spazio intimamente sognato.”
“It was symphony: intense, rhythmical, engaging; from the sculptures to the ceramics, from the surface to the substance, it will offer itself in a way that is so overwhelming and innovative that its origin will pale into insignificance. (...) From the dispersal of stones to the swelling of the stretched matter along astral lines, from the holes to the cuts, from the warmth of the pigments to the rarity of the white: from each of these […] there rises a persistent rhythm of a virtual time and of a intimately dreamed up space.”
“It was symphony: intense, rhythmical, engaging; from the sculptures to the ceramics, from the surface to the substance, it will offer itself in a way that is so overwhelming and innovative that its origin will pale into insignificance. (...) From the dispersal of stones to the swelling of the stretched matter along astral lines, from the holes to the cuts, from the warmth of the pigments to the rarity of the white: from each of these […] there rises a persistent rhythm of a virtual time and of a intimately dreamed up space.”
Giorgio Cortenova, Lucio Fontana. Metafore barocche, catalogo della mostra, Verona 2002-2003
Suggested Lots
Arte Moderna e Contemporanea
|
Milan
Milan
