Thomas Moran
1837 - 1926
THE LAST ARROW
This work will be included in Stephen L. Good's and Phyllis Braff's forthcoming catalogue raisonné of the artist's work.
Mr. Baird, Philadelphia, Pennsylvania, 1868 (acquired directly from the artist)
Holland Galleries, New York, 1915
Zenas Crane, Dalton, Massachusetts, 1915 (acquired from the above)
Gift to the present owner from the above, 1915
New York, The Artists' Fund Society, February-March 1868
Chicago, Illinois, Art Institute of Chicago; New York, Whitney Museum of American Art, The Hudson River School and the Early American Landscape Tradition, February-May 1945, no. 140, illustrated p. 122
Riverside, California, The Picture Gallery, University of California, Thomas Moran: 1837-1926, April-June 1963, no. 5, illustrated p. 28
New York, National Academy Museum, The Legacy of Asher B. Durand: Landscapes from the Berkshire Museum, July-December 2007, no. 27, n.p.
Thomas Moran, Opus List, 1863-68, no. 25
Clara E. Clement and Laurence Hutton, Artists of the Nineteenth Century and Their Works, Boston, Massachusetts, 1894, p. 129
Stuart C. Henry to Ruth B. Moran, Letter in the Thomas Moran Biographical Collection, East Hampton Free Library, East Hampton, New York, August 16, 1937
James B. Wilson, The Significance of Thomas Moran as an American Landscape Painter, Ph.D. dissertation, Ohio State University, Columbus, Ohio, 1955, p. 107
Thurman Wilkins, Thomas Moran: Artist of the Mountains, Norman, Oklahoma, 1966, pp. 52-53; 1998 ed., pp. 69-70
Nancy K. Anderson, Thomas Moran, Washington, D.C., 1997, p. 354, illustrated
"American Paintings in the Collection of the Berkshire Museum, Pittsfield, Massachusetts," The Magazine Antiques, November 1982, p. 1057, illustrated