Painted from the Rio dei Ognissanti looking north west, facing the Ponte Trevisan with the church of Santa Maria del Rosario in the background, the present work is a beautiful example of Unterberger’s oeuvre and of his lively depictions of nineteenth-century Venice. Whilst his keen eye for architectural elements is reminiscent of Italian vedutismo, this animate scene rendered with quick gestural brushstrokes is typical of the artist’s more romantic approach to the genre.
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