PAUL-JEAN-BAPTISTE GASQ | Diane (Diana)

Overall the condition is good with minor dirt and wear to the surface consistent with age. The marble retains its beautiful original surface. However there is a restored fracture running through the legs and a series of restored fractures running through Diana’s bow. These restorations are very well executed and only really visible under torchlight. There are small naturally occurring inclusions in particular in the base. There is natural veining to the marble consistent with the material, such as in the legs.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Paul-Jean-Baptiste Gasq had a keen interest in sculpting classical and allegorical subjects, but also created portraits in bust, medallion, bas relief and statuette form for affluent French families. Gasq was the winner of the first Prix de Rome in 1890, and became a member of the Institute in 1935. The present lot, showing the nude Goddess in a confident, striding, pose, is particularly close to Gasq's figure of Artemis, and truly embodies his oeuvre.  RELATED LITERATURE
P. Kjellberg, Bronzes of the 19th Century: Dictionary of Sculptors, London, 1994, p. 346