A RARE YELLOW-GROUND BLUE AND WHITE 'GARDENIA' DISH MARK AND PERIOD OF ZHENGDE

the shallow rounded sides rising from a slightly tapered foot, freely painted on the interior in shaded tones of cobalt with a leafy branch bearing two five-petalled gardenia blooms and a tightly closed bud, encircled on the cavetto by fruiting branches of pomegranate, grape, peach and a beribboned lotus bouquet, all between double-line borders, the underside with a continuous floral scroll of six blooming roses borne on a foliate stem, between double lines at the rim and foot, all reserved on a deep yellow enamel ground, save for a white base inscribed in underglaze blue with a four-character reign mark within double circles

John Sparks Ltd, London, until 1942.
Bluett & Sons Ltd, London, 1942 (£16:10).
Collection of Mr and Mrs R.H.R. Palmer, from 1943 (£35).
Sotheby’s London, 27th November 1962, lot 62 (£1,800).
Collection of Roger Pilkington (1928-69).
Collection of Maureen Pilkington (1928-2011).

Polychrome Porcelain of the Ming and Manchu Dynasties, Oriental Ceramic Society, London, 1950, cat. no. 109.

Soame Jenyns, Ming Pottery and Porcelain, London, 1953, pl. 57A (ii).

It is in overall good condition except for scratches and light wear to the glaze, especially to the mouth rim and the interior well. Other general surface wear and characteristic firing imperfections such as stained pinholes to the mouth rim.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This gardenia design, which is known from examples ranging from the Xuande (1426-35) to the Jiajing (1522-66) period and was executed in blue-against-yellow, blue-and-white, and brown-and-white, underwent a distinct style change in the Zhengde reign (1506-21). Dishes of this pattern were then produced also in smaller sizes than before, the central design was tightened, the arrangement of the surrounding branches altered, with the lotus bouquet placed straight above the gardenia branch, the crab apple replaced by the peach, and the mark generally reduced from a six- to a four-character version – the prevalent imperial mark of the time. These changes are very apparent when comparing the present dish to the Hongzhi example (1488-1505) in this sale, also from the collection of Roger and Maureen Pilkington, lot 2.

A companion dish of Zhengde mark and period, of similar size, in the Palace Museum, Beijing, is illustrated in The Complete Collection of Treasures of the Palace Museum. Blue and White Porcelain with Underglazed Red, Shanghai, 2000, vol. II, pl. 233, together with Chenghua (1465-87) and Hongzhi versions, pls 230 and 231; two dishes of this design, one of similar size, the other slightly smaller, are in the British Museum, illustrated in Jessica Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, pls 8:23 and 8:24; another somewhat smaller example in the Sir Percival David Collection, now also in the British Museum, is illustrated in Soame Jenyns, Ming Pottery and Porcelain, rev. ed., London, 1988, col. pl. H, together with three earlier blue-and-yellow dishes of this design, pls 102-104; another smaller dish of this design and reign mark in the Shanghai Museum is illustrated in Lu Minghua, Shanghai Bowuguan cangpin yanjiu daxi/Studies of the Shanghai Museum Collections : A Series of Monographs. Mingdai guanyao ciqi [Ming imperial porcelain], Shanghai, 2007, pl. 1-41; and one from the Toguri Museum of Art, Tokyo, illustrated in Fujioka Ryoichi & Hasebe Gakuji, eds, Sekai tōji zenshū/Ceramic Art of the World, vol. XIV: Min/Ming Dynasty, Tokyo, 1976, col. pl. 171, was sold in these rooms, 8th October 2013, lot 213.

An unusual larger dish of this design, with a six-character Zhengde reign mark, excavated in Beijing and now in the Capital Museum, Beijing, is illustrated in Zhongguo taoci quanji [Complete series on Chinese ceramics], Shanghai, 1999-2000, vol. 13, pl. 147.