Vivien Leigh

The board appears to be sound. There are artist's pinholes visible in the upper right, lower right and lower left corners. There is a slight possible compression visible in the upper left corner. There are a small number of scratches to the sky in the upper left quadrant, in particular one 5 cm scratch running vertically. There is some studio matter and detritus and some light surface dirt apparent. Subject to the above the work is in overall very good condition. Inspection under ultra violet light reveals no obvious signs of restoration or fluorescence. The work is framed in a simple linen and wood frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vivien's own painting is a testament to Churchill's advice and encouragement: ‘We think of you with such gratitude every time the brushes and paints are brought into action’ (Vivien Leigh, letter to Sir Winston Churchill, 23^rd May 1950, The Churchill Archives Centre, Churchill College, Cambridge, CHUR 2/174).