Hermann Corrodi

The canvas has been lined and is slightly undulated in the lower left corner - it could benefit from some light re-tensioning. This picture presents well and is overall in good condition. Ultra-violet light reveals three L-shaped strokes of retouching (the biggest of which circa 13cm.) in the sky in the left hand side and a circa 20cm. vertical stroke closer to the right edge, all of which possibly addressing old repairs. There are also scattered spots of retouching in the sky and some very fine lines in the standing man in the centre of the composition and in the water carrier to the right. This picture is ready to hang. Presented in a simple gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Scenes of prayer constitute an important subject within the works of Orientalist artists. In Prayer Before Jerusalem, Corrodi concentrates on the central theme of Muslim worship, as a caravan arrives on the outskirts of the Holy city. The leading figure on the left begins his prayer in the pose of takhbir, standing on his prayer mat facing Mecca, his hands raised and invoking God. His companions are, however, presented at different stages of sujud or prostration, during which the forehead is reverently placed to the ground.