Victor Vasarely

Pierre Janlet, Brussels (acquired from the artist)
Fred Lanzenberg, Brussels
Acquired from the above by the present owner

Colour: The colours in the catalogue illustration are fairly accurate, although the white is slightly warmer in the original. Condition: This work is in very good and original condition. Close inspection reveals some light scratches as well as a few media accretions scattered in isolated places throughout the composition. Further close inspection reveals a small paint loss to the top corner tip of the upper left relief rectangle. There is some light wear to the artist's frame, which is consistent with natural ageing. Inspection under ultraviolet light reveals a few spots of lighter fluorescence, which do not appear to be retouching.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Early abstract artists such as Malevich as well as Mondrian, Kandinsky and Albers explored the use of black and white in their art and critical writings. They realized its visual impact as a vehicle to achieve the essence of form and also to convey strong emotions(...) Vasarely, like other artists at this time, understood its potential"
Robert Sandelson
Exh. Cat., London, Robert Sandelson Gallery, Victor Vasarely in Black & White, 2005, n.p.