Lot 288
  • 288

Affortunato Gory Italian, 1895-1925

Estimate
6,000 - 8,000 USD
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Description

  • Affortunato Gory
  • Oriental Dancer
  • signed A. Gori to base
  • white marble and gilt-bronze
  • height 36 3/4 in.
  • 93 cm
white marble and gilt-bronze, signed A. Gori to base

Literature

A. Panzetta, Nuovo dizionario degli scultori Italiani dell'ottocento e del primo novecento da Antonio Canova ad Arturo Martini, Turin, 2003, p. 441

Condition

Both hands and one foot heavily but professionally restored/rebuilt. Other foot restored to toes. Little finger on her right hand broken and with top half lost (mostly concealed by flowing drapery). Bronze regilt.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This lively dancer is the best-known of Affortunato Gori's figures. A practitioner of chryselephantine sculpture, Gori reveled in the contrasts of different materials, brought together to add vibrancy to his subject. Here the cool white marble of the girl's skin is set off against the glittering, fluttering drapery in gilt bronze. The vogue for Oriental dances was at its height in the first part of the 20th century. It has been suggested that Gori's figure may have been inspired by the internationally famous dancer Maud Allan in her role as Oscar Wilde's Salome, originally performed in 1906. The costume, which the dancer designed herself, is certainly closely comparable.  

The Florentine Affortunato Gori was a pupil of Augusto Rivalta. Whilst few details of his life are known, his work appears to have had a wide following. He exhibited a number of times at the Paris Salon between 1904 to 1923.