Lot 297
  • 297

Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views

Estimate
8,000 - 12,000 GBP
bidding is closed

Description

  • Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views
  • A capriccio of classical ruins with figures conversing on a path in the foreground
  • oil on canvas

Condition

The canvas is unlined and much of the impasto paintwork is fresh and intact. Inspection under ultraviolet light reveals a thin vertical line of retouching, approx. 15 cm. long, in one of the columns, left, and an L-shaped line of retouching, measuring approx. 10 x 15 cm., to the lower right of the arch on the right-hand side. There are some fine retouchings along the upper margin and scattered through the sky, and the features of the figures, lower centre, have been strengthened. The painting otherwise remains in very good original condition. Offered in a later plain painted wood frame with some minor losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This unique composition is by Apollonio Facchinetti, called Domenichini, formerly known as the Master of the Langmatt Foundation Views after the artist's eponymous works - a group of seven views of Venice in the Langmatt Foundation, Zurich. It is thought likely that he was a pupil of Carlevarijs, Marieschi or perhaps Fracesco Albotto, and his works were long confused with those of Francesco Tironi.