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Lot 131
  • 131

Manuel Álvarez Bravo

Estimate
3,000 - 5,000 EUR
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Description

  • Manuel Álvarez Bravo
  • La Buena Fama Durmiendo, 1938
  • photograph
  • 18,4 x 24,4 cm ; 7 ¼ x 9 ½ in.
tirage argentique probablement des années 1970
signé au crayon au verso
monté sous passe-partout et encadré

Literature

Manuel Álvarez Bravo : 100 Years, 100 Days, Turner Publications, 2001, pl. 48 ;
Jeu de Paume et Fundación Mapfre, Manuel Álvarez Bravo, Paris, Hazan, 2012, ill. 109.

Condition

This silver print on single weight paper with a glossy surface is in excellent condition. The upper left corner is very slightly worn away from the image.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Museum of Photographic Arts, Revelaciones : Manuel Álvarez Bravo, Albuquerque, University of New Mexico Press, 1992, pl. 21 ;
Susan Kismaric, Manuel Álvarez Bravo, New York, Museum of Modern Art, 1997, ill. p. 123 ;
Manuel Álvarez Bravo, Manuel Álvarez Bravo : Photographs and Memories, New York, Aperture, 1997, ill. p. 77 ;
Manuel Álvarez Bravo : photographs from the J. Paul Getty Museum, Los Angeles, The J. Paul Getty Museum, 2001, pl. 28 ;
Manuel Álvarez Bravo : 100 Years, 100 Days, Turner Publications, 2001, pl. 48 ;
Jeu de Paume et Fundación Mapfre, Manuel Álvarez Bravo, Paris, Hazan, 2012, ill. 109.