Beethoven, Ludwig van

FIRST (LONDON) EDITION, 6 pages, folio, (c.33 x 24cm), engraved music, "No.5" at the foot of each page, 2-page catalogue advertisement by Muzio Clementi, "A collection of Periodical Italian Songs, Duets &c." (including this duet), undated laid paper, disbound, some foxing

Tyson, The Authentic Editions of Beethoven (1963), pp.84-86 (also in Dorfmüller, p. 199); Kinsky/Halm (2014), p.516

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

RARE. This edition resulted from an agreement between Beethoven and Muzio Clementi; all such so-called authentic English editions are rare and desirable.  This edition was recorded at Stationers Hall on 1 February 1811, although the songs were issued separately without a general title page.  The copies in London (BL. h.376.23.) and Oxford do not have the "No.5", whereas that in Hamburg does.  Tyson does not distinguish between the issues, and there is no watermark date on any of them.  Breitkopf & Härtel’s edition, Vier Arietten und ein Duett op.82, was finally issued only in July 1811.