Lot 54
  • 54

Leonce Raphael Agbodjelou

Estimate
4,000 - 6,000 GBP
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Description

  • Leonce Raphael Agbodjelou
  • Untitled (Demoiselles de Port-Novo Series)
  • C-print
  • 180 by 130cm., 71 by 51in.
  • Executed in 2012

Provenance

Jack Bell Gallery, 2012
Acquired from the above by present owner

Exhibited

London, Jack Bell Gallery, Leonce Raphael Agbodjelou: Demoiselles De Porto-Novo, 2012
London, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014, illustrated in the catalogue p. 35

Condition

This work appears to be in very good condition. Please note that the photograph has not been examined out of its frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Untitled is part of the ‘Demoiselles de Porto-Novo’ series, which spotlights young women of Porto-Novo. The faces of the women are covered in masks, and their breasts exposed. The photographs are taken in a mansion owned by Agbodjelou’s family that was built in 1890, by Africans who returned after the abolition of slavery in Brazil.

In combining the setting of modern architecture, with bare breasted women wearing ethnographic masks, Agbodjelou addresses the evolving nature of African identity. ‘Demoiselles de Porto-Novo’ series is a continuation from ‘Citizens of Porto Novo’, which explored the masculinity of Porto-Novo’s bodybuilders juxtaposed with the femininity of flowers.