56
56

PROPERTY OF A PRIVATE CALIFORNIA COLLECTOR

Émile Munier
FRENCH
THE MORNING MEAL
Estimate
100,000150,000
LOT SOLD. 168,750 USD (Hammer Price with Buyer's Premium)
JUMP TO LOT
56

PROPERTY OF A PRIVATE CALIFORNIA COLLECTOR

Émile Munier
FRENCH
THE MORNING MEAL
Estimate
100,000150,000
LOT SOLD. 168,750 USD (Hammer Price with Buyer's Premium)
JUMP TO LOT

Details & Cataloguing

European Art

|
New York

Émile Munier
1840-1895
FRENCH
THE MORNING MEAL
signed E. MUNIER and dated 1880 (upper right)
oil on canvas
26 3/8 by 22 in.
66.9 by 55.8 cm
Read Condition Report Read Condition Report

In 2008, the authenticity of this lot was confirmed by Damien Bartoli. 

This work will be included in the forthcoming Émile Munier catalogue raisonné to be published by Rehs Galleries, Inc. www.emilemunier.org. 

Provenance

Private Collection, Spain
Otto & Mary Emmert, Buffalo, New York (acquired from the above in circa 1930)
Elsie Emmert, Buffalo, New York (by descent from the above)
Richard and Betty Bilich (by circa 1982)
Private Collection, Georgia (and sold, Sotheby's, New York, October 23, 2008, lot 77, illustrated)
Acquired at the above sale

Catalogue Note

Émile Munier's early artistic training was intended to prepare him for work as an upholsterer, following in the footsteps of his father who designed for Les Gobelins the tapestry markers in Paris.  Yet, by 1869, Munier regularly exhibited at the Paris Salon and in 1872 entered William Bouguereau's studio where he soon gained a reputation as one of his most talented students.  Munier's son Henri and daughter Marie-Louise were among his favorite models.  Despite the passing of time Munier often painted his children as they appeared in earlier compositions.  Indeed, while dated from 1880, the present work depicts Marie Louise as she appeared in 1876.  Rather than  portraying his subjects as "little adults" stiffly posed in formal costume, Munier captured casual moments of daily life.  The rich silks and fabrics of her bedroom, together with her coral necklace and lace trimmed nightgown, suggest the well-appointed home in which the girl lives.

A number of variations of the present work's subject were painted, which suggests that the composition was one of the artist’s favorites and that it was beloved by his patrons.

European Art

|
New York