Lot 194
  • 194

Andy Warhol

Estimate
350,000 - 450,000 USD
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Description

  • Andy Warhol
  • Lifesavers
  • signed and dated 85 on the overlap
  • acrylic and silkscreen ink on canvas
  • 22 by 22 in. 55.9 by 55.9 cm.

Provenance

Martin Lawrence Limited Editions, Van Nuys
Private Collection
Christie's, New York, 8 May 1990, Lot 541
Galerie Nasoni, Lisbon
Private Collection, Switzerland
Sotheby's, New York, 19 May 1999, Lot 290
Private Collection, Tokyo
Sotheby's, New York, 21 October 2003, Lot 438
Van de Weghe Fine Art, New York (acquired from the above sale)
Acquired from the above by the present owner in 2003 

Exhibited

Madrid, Galeria El Coleccoionista, Andy Warhol, 1991, p. 33, illustrated in color 

Condition

This work is in very good condition overall. The colors are bright, fresh and clean. There is evidence of very light wear and handling along the edges, including some hairline craquelure at the pull margins. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"When we are hungry for soup, don't we seek out the culturally sanctioned brand name (Campbell's) and then select the flavor according to our taste? When we want a sweet, don't we reach for the trademark Life Savers and then select the taste we prefer by its color? And when a guy wants a girl, doesn't he seek out a version of Marilyn who suits his own emotional taste and décor? If this is so, how is our taste in high art any different? Is the process really that much more refined?"

Dave Hickey, "Introduction: Andy Warhol and the Dreams that Stuff is Made of," Andy Warhol "Giant" Size, New York 2006, p. 12