Lot 152
  • 152

Robert Motherwell

Estimate
200,000 - 300,000 USD
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Description

  • Robert Motherwell
  • Open No. 79: In Gray with Charcoal
  • signed with the artist's initials and dedicated For Renate Ponsold Easter Day 1972 on the reverse
  • acrylic and charcoal on canvas
  • 40 by 60 in. 101.6 by 152.4 cm.
  • Executed in 1969.

Provenance

Gift of the artist to Renate Ponsold Motherwell in April 1972

Literature

H. H. Arnason, Robert Motherwell, New York 1982, p. 163, illustrated in color
Jack Flam, Katy Rogers and Tim Clifford, Eds., Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941-1991, Vol. 2: Paintings on Canvas and Panel, New Haven 2012, cat. no. P470, p. 257, illustrated in color

Condition

This work is in very good condition overall. Please contact the Contemporary Department at (212) 606-7254 for a professional condition report prepared by Terrence Mahon.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"And in real life, I would rather spend time looking at nature that has been modified by man—at parks or town squares with walls, say—than at raw nature or wilderness. The Open series was generated in part by these feelings. In Mexico, in the old days, they built the four walls of a house solid, without windows or doors, and later cut some windows and doors beautifully proportioned, out of the solid adobe wall. There is something in me that responds to the stark beauty of dividing a flat, solid plane."

Robert Motherwell