Dominique Alonzo

Overall the condition of the marble is very good with minor dirt and wear to the surface consistent with age. The base is carved separately. There are a few naturally occurring inclusions - some of which are filled - including to the raised proper right arm, and on the proper right side of the abdomen, and to the legs. There are a few minor dirt marks to the proper right leg. There is minor veining to the marble consistent with the material. There are a few minor scratches to the edges of the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

After learning the tradition of Carrier-Belleuse from his master Falguière, Dominique Alonzo became an established sculptor in the Art Deco style during the early twentieth century, his marbles often accommodating multiple media. The present marble demonstrates Alonzo's deviation from the contemporary vogue among sculptors for eroticism and seduction, indulging instead a nostalgia after a past ideal. Alonzo’s Nude expresses an appreciation of feminine beauty, proportion and naturalism that, through her muted energy and relaxed posture, rejects sensuality as decadent. The marble exudes confidence in the absence of drapery, apparently comfortable showcasing the classical beauty of the female form.

RELATED LITERATURE
E. Bénézit, Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Paris, 1999, p. 231