Sir John Lavery, R.A., R.S.A., R.H.A.
- Sir John Lavery, R.A., R.S.A., R.H.A.
- Chiswick Baths
- signed l.r.: J Lavery; also signed and titled on the reverse
- oil on canvasboard
- 51 by 61cm., 20 by 24in.
Private collection, U.S.A.;
Christie's, London, 8 November 1990, lot 51;
de Veres, Dublin, 23 November 2004, lot 40, where purchased by the present owner
London, P. & D. Colnaghi, Their Majesties' Court, Buckingham Palace, 1931 Studies and Other Sketches by Sir John Lavery RA, 1932, no.68, illustrated in exh. cat.;
London, Pyms Gallery, Autumn Anthology, 1983, no.24;
London, Fine Art Society, Sir John Lavery, 1984-85, no.104, with tour to Edinburgh, Belfast and Dublin
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
The Baths were one of several al fresco pools built in the Edwardian era and were a prototype for the classic art deco lidos that emerged in the 1930s. The innovative architecture of these early pools is seen in the present work with the double-decker changing cabins on the left hand side of the pool and at the end can be seen the four-tiered diving board. The pools were exciting new places for the young to mingle, especially permitting mixed bathing sessions and representing as a whole a greater relaxing of formal social rules.
Throughout Lavery’s career he had been drawn to painting contemporary leisure activities, perhaps most famously with his painting The Tennis Party of 1885 (Aberdeen Art Gallery), which emphatically announced Lavery’s modernist credentials. Tennis was to appear in several other works by Lavery in addition to croquet, golf and regattas. Lavery’s keen interest in swimming baths dates from the 1920s and his visits to Monte Carlo and Palm Beach in Florida. At Palm Beach he was captivated by the People’s Pool, otherwise known as Gus’s Baths and which resulted in such works as Winter in Florida, 1927 (private collection).