Thomas Hickey

Mrs Constance Dashwood (according to a label on the reverse);
With Thomas Agnew & Sons, London, 1967 (as Nathaniel Dance R.A.);
From whom purchased in 1967 by the present owners.

The canvas has a firm relining and a clear and even varnish. The paint surface is stable with no major visible damages and the painting appears to be in good overall condition. Inspection under ultra violet light reveals two campaigns of restoration, the older campaign consists of minor scattered retouchings and strengthenings throughout. The second more recent campaign consists of only a few patches of retouching in the dark tones of the ladies hair, and in the line of her hair beneath her headscarf. There are also some more recent strengthenings in the background along the side of her face, and some in her flesh tones, mostly to minimalise the effect of some craquelure. These retouchings appear to be of a predominantly cosmetic nature, and much of the impasto in the brocade of her dress, in the foliage of the background, and in the details of her headscarf remain well preserved.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."