- 154
A FINELY CARVED CELADON AND RUSSET JADE FIGURE OF A FISHERMAN QING DYNASTY, 18TH CENTURY
Description
- JADE
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
A similar carving of a seated fisherman, in the Tianjin Museum, Tianjin, is illustrated in Jade Wares Collection by Tianjin Museum, Beijing, 2012, pl. 202; another of smaller size, from the collection of Roger Chow, was included in the exhibition Exquisite Jade Carving, Art Gallery, The Chinese University of Hong Kong, Hong Kong, 1995, cat. no. 40; and two carvings of standing fisherman were sold these rooms, the first, 11th November 1990, lot 64, and the second, 9th November 2005, lot 587.
Fishermen represent one of the Four Basic Occupations, and have long been associated in Chinese folklore with the scholarly ideals of isolation and a simple life. The most famous scholar in Chinese mythology is Jiang Ziya (ca. 11th century BC), a military adviser to King Wen and King Wu of Zhou, who became a fisherman during his exile. Moreover, depictions of fisherman (yuweng) and carps (liyou) is homophonous with yuwen deli, a pun on the phrase ‘the fisherman received profit’.