- 18
Pierre Chareau
Estimate
20,000 - 30,000 EUR
Log in to view results
bidding is closed
Description
- Pierre Chareau
- Lampe LP180 dit aussi Masque, vers 1922-1923
- iron, alabaster
- 28,5 x 26 x 21,5 cm (11 1/4 x 10 1/4 x 8 1/2 in.)
fer battu et albâtre
Literature
Edmond Fleg, "Nos Décorateurs", Les Arts de la Maison, Automne 1924, Paris, p. 18 pour un projet d'étude du modèle
Les Arts de la Maison, Hiver 1926, p. 40
Georges Rémon, "Les Créations de Pierre Chareau", Mobilier et Décoration, Avril 1927, p. 103
René Herbst, Un Inventeur... l'architecte Pierre Chareau, Paris, 1954, p. 78
Marc Velley et Kenneth Frampton, Pierre Chareau, architecte-meublier, Paris, 1984, modèle reproduit p. 121 et référencé p. 294
Lumières, je pense à vous, catalogue d'exposition, Centre Pompidou, Paris, 3 juin - 5 août 1985, p. 151
Pierre Chareau, Architecte, un art d'intérieur, catalogue d'exposition, Centre Pompidou, Paris, 3 novembre 1993 - 17 janvier 1994, p. 154
Dominique Vellay, La Maison de Verre - Le chef d'oeuvre de Pierre Chareau, Arles, 2007, pp. 100-101 et 103
Les Arts de la Maison, Hiver 1926, p. 40
Georges Rémon, "Les Créations de Pierre Chareau", Mobilier et Décoration, Avril 1927, p. 103
René Herbst, Un Inventeur... l'architecte Pierre Chareau, Paris, 1954, p. 78
Marc Velley et Kenneth Frampton, Pierre Chareau, architecte-meublier, Paris, 1984, modèle reproduit p. 121 et référencé p. 294
Lumières, je pense à vous, catalogue d'exposition, Centre Pompidou, Paris, 3 juin - 5 août 1985, p. 151
Pierre Chareau, Architecte, un art d'intérieur, catalogue d'exposition, Centre Pompidou, Paris, 3 novembre 1993 - 17 janvier 1994, p. 154
Dominique Vellay, La Maison de Verre - Le chef d'oeuvre de Pierre Chareau, Arles, 2007, pp. 100-101 et 103
Condition
FR : Bon état général
La structure en métal présente des traces d'oxydation. De fines traces de rayures en surface d'usage.
Les plaques d'albâtre avec des traces de salissures, des tâches éparses, de fines rayures de surface et infimes petits chocs aux coins
EN : Good overall condition. The metal structure with traces of oxidizing and thin scratches, consistent with use.
The alabaster plaques with traces of dirtyness, stains and a thin crack to the right handside one. This scratches and very very tiny lack to the edges
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."