- 463
Sean Scully
Estimate
70,000 - 100,000 USD
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Description
- Sean Scully
- Untitled (3.26.95)
- signed, titled and dated 3.26.95 on the reverse
- pastel on paper
- 29 by 41 in. 73.7 by 104.1 cm.
Provenance
Waddington Galleries Ltd., London
Acquired from the above by the present owner in 1995
Acquired from the above by the present owner in 1995
Condition
This work is in very good condition overall. The vertical edges of the sheet are deckled. There are two artist pinholes in the top right and left corners. There is soft creasing to the upper right corner, which is only visible under close inspection. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"Horizontals are the eternal horizon, where we see the edge of our own local world. Verticals are assertive, like us standing. There are a lot of references to figures and nature in my work, so naturally it has a psychological aspect to it, where the assertive and the affirmative human action come into contact with the permanent.” Sean Scully