Lot 432
  • 432

Matias Faldbakken

Estimate
40,000 - 60,000 USD
Log in to view results
bidding is closed

Description

  • Matias Faldbakken
  • Untitled (MDF)
  • signed and dated 2008 on the reverse
  • aluminium electric tape on grey MDF
  • 98 1/2 by 49 1/4 in. 250.2 by 125.7 cm.

Provenance

STANDARD (OSLO), Oslo
Private Collection, New York

Exhibited

Birmingham, IKON Gallery; National Museum of Oslo, Shocked into Abstraction, November 2009 - January 2010

Condition

This work is in excellent condition overall. There are noticeable creases in the tape, which is inherent to the artist's method of working. There is a noticeable area of discoloration in the lower left quadrant of the MDF board which is inherent to the medium. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“At first…(my tape works)…were based on the way in which broken windows are taped together by store and office managers: I would photograph and then remake the kind of senseless abstractions that are created this way. But I soon found that the link to vandalism became too obvious, so I chose to drift into my own kind of abstraction, just arranging strips of tape on the wall really quickly and spontaneously. The works are simply what you see: pieces of tape on the wall. They are rewarding, somehow, on a visual level, but at the same time they are completely throwaway gestures and hard to take seriously as artworks.” Matias Faldbakken