A large gem-set carved jade pandan, India, 19th century

of octagonal form with slightly domed lid, carved with eight faceted sides and raised chevron borders, flowerhead to centre, decorated in the kundan technique with diamonds and rubies, underside with carved stylised flowerhead, in custom velvet-lined box

In good general condition, natural inclusions to jade, one stone missing, some probably later replacements, some discoloration to gilding, box with some rubbing to velvet on exterior, particularly to top so that most velvet rubbed off, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This pandan box was designed for the chewing of pan, which involves the mixing of thin slices of the nut of the areca palm with lime paste enveloped in a fresh leaf of the betel tree (Zebrowski 1997, p.263). The associations of the habit with a leisurely lifestyle imbued it with connotations of courtly life. In a miniature of 1570, depicting the Sultan of Ahmadnagar, the use of pan seems to be used as emblemmatic of royal status (Bibliothèque Nationale, Paris, inv.no.Supplément persan 1572, fol.26). In a relatively large container such as this, with no internal divisions, it is assumed that its purpose was the storage of the unassembled materials for betel chewing.