- 142
Luciano Ori
Estimate
4,000 - 6,000 EUR
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Description
- Luciano Ori
- Senza titolo
- firmato, intitolato e datato 20/1/64
- collage su cartoncino
- cm 81,5x111
Provenance
Firenze, Collezione Luciano Ori
Ivi acquisito dall'attuale proprietario
Ivi acquisito dall'attuale proprietario
Literature
Marco Bazzini e Stefano Pezzato, Primo Piano: Parole, Azioni, Suoni, Immagini da una collezione d'arte, Prato 2006, p. 113, n. 241, illustrato
Luciano Ori, visita al museo, Prato 2009, n. 79, illustrato
"Il Nuovo Corriere di Firenze", 17 aprile 2009, p. 21, illustrato
Lucia Fiaschi, Parole Contro 1963-1968. Il tempo della poesia visiva, Montevarchi 2009, p. 83, n. 26, illustrato
Lucia Fiaschi, Parole Contro 1963-1968. Il tempo della poesia visiva, Bratislava, Istituto Italiano di Cultura, Siena 2010, p. 71, n. 21, illustrato
Marco Bazzini, Laura Buccellato, Palabras Imagénes y otros Textos, Guadalupe Ramirez Oliberos, Massimo Scaringella. Museo de Arte Moderno de Buenos Aires, 2012, p. 67, illustrato
Diana Petrungaro, Lucia Marcucci e la poesia visiva (tesi di laurea, Università degli Studi, La Sapienza, Roma, relatori prof. Ilaria Schiaffini e prof. Antonella Sbrilli) a.a. 2013-2014, p. 29, illustrato
Luciano Ori, visita al museo, Prato 2009, n. 79, illustrato
"Il Nuovo Corriere di Firenze", 17 aprile 2009, p. 21, illustrato
Lucia Fiaschi, Parole Contro 1963-1968. Il tempo della poesia visiva, Montevarchi 2009, p. 83, n. 26, illustrato
Lucia Fiaschi, Parole Contro 1963-1968. Il tempo della poesia visiva, Bratislava, Istituto Italiano di Cultura, Siena 2010, p. 71, n. 21, illustrato
Marco Bazzini, Laura Buccellato, Palabras Imagénes y otros Textos, Guadalupe Ramirez Oliberos, Massimo Scaringella. Museo de Arte Moderno de Buenos Aires, 2012, p. 67, illustrato
Diana Petrungaro, Lucia Marcucci e la poesia visiva (tesi di laurea, Università degli Studi, La Sapienza, Roma, relatori prof. Ilaria Schiaffini e prof. Antonella Sbrilli) a.a. 2013-2014, p. 29, illustrato
Condition
This work appears to be in generally good overall condition. There are few traces of old folds: one all along the upper edge and 3 minor ones towards the right upper edge, by a small tear. There are 3 minor rubbing marks along the left upper edge, visible in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."