Lot 89
  • 89

Italian, Doccia factory, circa 1745

Estimate
8,000 - 12,000 GBP
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Description

  • Dish
  • porcelain
  • 43cm., 17in. wide
  • Italian, Doccia factory, circa 1745
of oval silver form with ribbon-tied reeded and scroll moulded rim, painted in the centre with naturalistic brightly coloured flowers, the border painted with four spaced flower sprays and insects

Provenance

Ruggero Schiff-Giorgini, Rome (paper label to reverse)

Exhibited

Vienna, Liechtenstein Museum, Baroque Luxury Porcelain, 2005-2006

Literature

A. Mottola Molfino, L'arte della porcellana in italia, il Veneto e la Toscana, Busto Arsizio, 1976, fig. 416;
J. Kräftner (ed.) Baroque Luxury Porcelain, exh. cat., Liechtenstein Museum, Vienna 2005, pp. 157-177.

Condition

A large and rare Doccia Ginori factory porcelain dish painted with roses and other flowers, circa 1745 In generally good condition. There is some typical uneven surface colouring and glaze distribution. Some of the points of the moulded rim are chipped, visible in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The form of flower painting can be compared to Du Paquier porcelains that were being produced fifteen years earlier. The Doccia factory retained collections of engravings of flowers, and it seems probable that the painters were using the same prints that were available in Vienna.

Ruggero Schiff-Giorgini (1882-1940) worked as an archaeologist and was a member of the well known Schiff dynasty of academics.