Cahors, Musée de Cahors, Changer la Vue. André Breton et la révolution surréaliste du regard, 1986, no. 197, illustrated in the catalogue
Milan, Palazzo Reale, I surrealisti, 1989, illustrated in colour in the catalogue
Frankfurt, Schirn Kunsthalle, Die Surrealisten, 1989-90, illustrated in colour in the catalogue
Saint-Louis, Espace d'Art Contemporain Fernet-Branca, Chassé-croisé Dada-Surréaliste 1916-1969, 2012, illustrated in colour in the catalogue
In 1939 he joined the Surrealist exodus to New York where he met Duchamp, Man Ray, Miró and Tanguy. Latterly he was attached to the History of Art Department at Brooklyn College where he began to design costumes for the theatre. The theatrical milieu in which he mixed perhaps influenced his mature works such as Witches, in which the dramatisation of the figures and backdrop are reminiscent of the stage.
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