Marcantonio Franceschini

The canvas has an old relining. Good quality impasto is visible in the foliage. The paint surface is secure, except for a small area at the upper left. Small areas of retouching are visible in the left foot of the Magdalen and the lower part of her robe. Inspection under ultraviolet light reveals an even and opaque varnish which makes it difficult to detect any further retouchings. Overall the work is in good condition. This lot is offered in a gilt wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Dr. Fabio Chiodini dates this work to the late 1670s, when Franceschini was beginning to establish his independence as an artist. The drapery can be compared to another early canvas of the same subject (119 by 147 cm.)¹ Both pictures are still clearly reminiscent of the style of Franceschini's teacher, Carlo Cignani.
1. See D. W. Miller, Marcantonio Franceschini, Turin 2001, pp. 218-219, p. 218, cat. no. 115, reproduced.