Jean Barbault

The canvas is unlined. Generally the picture is in healthy condition though it is covered in a dirty varnish and it appears that some of the white pigments in the figure's drapery have thinned somewhat. The painting is covered in a dirty, milky varnish on top of which are a few clear and isolated retouches, namely along the top left edge and the bottom left edge as well as a few scattered in the figure's blouse. The painting could be hung in its current condition as it does present a fine image to the naked eye, or a fresh varnish could be put onto the picture and the older isolated retouches re-examined. In a carved giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Jean Barbault left his native France for Rome around 1747, and remained in Italy until his death.  Many of his most well-known paintings are charming depictions of single figures set in a dark or neutral background; indeed the artist's two most famous series were a suite of figures in Oriental costume and one of figures in contemporary Italian dress.  The present painting is likely an example from the latter group.