- 133
Wilde, Oscar
Description
- Wilde, Oscar
- The Importance of Being Earnest. A Trivial Comedy for Serious People. London: Leonard Smithers and Co, 1899
- Paper, japanese vellum
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"So, dear Frankie, you are married, and your husband is a 'king of men'! That is as it should be: those who wed the daughters of the gods are kings, or become so. I have nothing to offer you but one of my books, that absurd comedy The Importance of Being Earnest, but I send it to you, in the hopes it may live on one of your bookshelves and be allowed to look at you from time to time. Its dress is pretty: it wears Japanese vellum, and belongs to a limited family of nine: it is not on speaking terms with the popular edition: it refuses to recognise the poor relations whose value is only seven and sixpence." (The Complete Letters of Oscar Wilde (2000), p.1144).
Frances Forbes-Robertson (1866-1956) was a painter, actress and novelist, and one of the eleven siblings of Sir Johnston Forbes-Robertson, an actor who was thought of as one of the finest actors of the nineteenth century. Wilde counted a number of the family amongst his friends.
Wilde had previously sent a copy of Salomé to Frances in February 1893, and, writing from prison in April 1897, instructed Robbie Ross to prepare two copies of the manuscript which would become De Profundis, one for 'the Lady of Wimbledon' (Adela Schuster) and the other to send to Frances, explaining: "These sweet women will be interested to know something of what is happening to my soul" (ibid, p.782). However, the Prison Commission would not permit the sending of the manuscript to Ross, and it was instead given to Wilde when he was released in May.