Durand-Ruel Gallery, New York (acquired from the above on 30th March 1897)
Dr & Mrs T. Edward Hanley, Bradford, Pennsylvania (acquired from the above on 1st April 1936)
Denver Art Museum, Denver (a gift from the above in 1974. Sold: Christie’s, New York, 11th November 1997, lot 101)
Private Collection (sold: Sotheby’s, New York, 10th May 2001, lot 206)
Purchased at the above sale by the late owner
Columbus, Ohio, The Columbus Gallery of Fine Arts, Works from the Hanley Collection, 1968, no. 97 (titled Le Chapeau Rouge and as dating from 1894)
‘Chronique des arts’, in Gazette des Beaux-Arts, Paris, February 1973, fig. 552, illustrated p. 156 (titled Le Chapeau rouge)
This new and increasingly liberated style represented a marked change from the more formal aesthetic that had dominated his work of the 1880s. Where he had previously been inspired by the elegant and restrained lines of the Renaissance masters, he became interested in the examples of the eighteenth-century masters Watteau and Fragonard, as John House explains: ‘His brushwork of the 1890s retains Fragonard’s imprint in its increasingly rhythmic, cursive movements, which model form and create decorative pattern in the same gesture… He was preoccupied with finding a definitive, simple range of colours for his palette which would serve every need, in his obsessive concern with mastering the craft of painting’ (J. House, ‘Renoir’s World’, in Renoir (exhibition catalogue), The Hayward Gallery, London, 1985, p. 250). Tête de jeune fille represents a glorious return to a freer and more emphatic style, combining rich colour with sweeping brushstrokes in a work that is filled with a warm and vibrant energy.
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