Lot 362
  • 362

Jacques Rigaud

Estimate
20,000 - 25,000 EUR
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Description

  • Jacques Rigaud
  • Vue des Invalides
  • Plume, encre noire, lavis de gris et pierre noire
  • Plume, encre noire et lavis gris,
  • 23 x 47,5 cm ; 9 by 18 3/4 in

Condition

Laid down and glued at the two top corners. Small and minor foxing and slight soiling. Sold in a guilted wooden frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Rigaud est très connu par ses séries de gravures, d’après ses propres dessins, représentant Les Maisons Royales de France, un projet qu’il entreprit en 1730, et qui fut complété par son neveu, Jean-Baptiste. Une série de dessins spectaculaires représentant Marly, en relation avec ce projet, furent inclus dans la vente de la collection Beistegui, au Château de Groussay (Sotheby's-Poulain Le Fur, 2 June 1999, lots n°58-62). La gravure d’après notre dessin montre quelques petites différences au niveau des personnages, mais reste néanmoins très fidèle au dessin.

Rigaud is best known for his series of prints, after his own drawings, representing Les Maisons Royales de France, a project which he undertook in 1730, and which was eventually completed by his nephew, Jean-Baptiste.  A series of spectacular drawings of Marly, relating to this project, were included in the sale of the de Beistegui Collection, at the Château de Groussay (Sotheby's-Poulain Le Fur, 2 June 1999, lots 58-62).  The print after the present drawing shows some small differences in details of the staffage, but otherwise follows the drawing faithfully.