Lot 50
  • 50

Kenneth Noland

Estimate
250,000 - 350,000 USD
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Description

  • Kenneth Noland
  • Winged
  • signed, titled and dated 1964 on the reverse
  • acrylic on canvas
  • 64 by 64 in. 162.6 by 162.6 cm.

Provenance

Lawrence Rubin Gallery, New York
B.R. Kornblatt Gallery, Washington, D.C.
Private Collection
Christie's, New York, November 13, 1991, lot 154
Acquired by the present owner from the above sale

Condition

This work is in very good condition overall. The canvas is unlined. There is some very light wear at the extreme corners and scattered pinpoint surface accretions along the lower right edge and one in the center left quadrant in the green pigment. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Unquestionably heir to Matisse and Klee in the realm of color expression, [Noland] is to his generation what they were to their own.  Noland’s search for the ideal Platonic form has crystallized into an art in which color and form are held in perfect equilibrium.  The spare geometry of his form heightens the emotional impact of his color.  The rational and the felt, distilled form and sensuous color intermesh to create a magic presence. His space is color.  His color is space. Color is all.” (Exh. Cat., New York, Solomon R. Guggenheim, Kenneth Noland: A Retrospective, 1977)