Zeng Fanzhi

signed in Chinese and Pinyin and dated 2005

Private American Collection
Sotheby's, Hong Kong, 6 April, 2009, lot 659
Acquired by the present owner from the above sale

This work is generally in good condition. There is a speck of paint loss on the figure's right eyebrow. Having examined the work under ultraviolet light, there appears to be no evidence of restoration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Zeng Fanzhi, the artist responsible for the Masks that have had a ubiquitous influence on the Chinese contemporary art world, has since looked towards new horizons, developing new techniques at the turn of the millennium. In a systematic “unmasking” of his characters, the figures that now appeared in the artist’s pieces had bare faces. The piece on offer is the 2005 Portrait, and is a prime example of the artist’s style in transition. The piece depicts the character gazing intently at the observer; yet in contrast to this concentrated stare is body language that suggests otherwise, and he wears a somewhat unreadable expression, verging on bewilderment and emotionlessness.  As Zeng once commented, “My figures are all pieces of a mirror; they reflect our inner selves, and our feelings towards other entities.”