An Italian red lacquer and parcel-gilt commode, Genoese

of serpentine form, with a painted faux siena marble top above two long drawers above a shaped apron on inward curved legs, the whole painted with foliate cartouches and fruiting branches enclosing peonies, some retouching to lacquer

In overall good conserved condition. The colour is slightly less orange and slightly darker and more attractive than in the photograph. There are some scattered hairline age cracks generally especially in the top which is slightly warped. The dovetails in the top are visible and have been touched up. There is some bubbling and minor flaking to the decoration. The inside of the drawers have been stained. Reblocked underneath. The rear legs would appear to have been restored. The handle mounts have been replaced.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Comparative Literature:
Enrico Colle, Il Mobile Rococò in Italia, Milan, 2003, pp. 258-259.

Genoese furniture is characterised by understated elegance in its slender curves, sabre legs and almost imperceptible bombé shape. The vicinity of Genoa to France and the influence of the former on it politically throughout the 18th century had a strong impact on the culture and decorative arts of Liguria. The Genoese lacquered furniture interpreted the lightness and gaiety of the rococo. The corporation of laccatori used a type of lacquer which although different to that used in Venice was thinner and leaner and devised specifically not to cover the details of the sculpted elements. The commodes follow the overall designs previously employed for the veneered pieces identically.