Lot 53
  • 53

Arnaldo Pomodoro

Estimate
90,000 - 120,000 EUR
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Description

  • Arnaldo Pomodoro
  • Sfera
  • firmata e numerata 3/9 sulla base
  • bronzo
  • diametro cm 20
  • Eseguito nel 1980 in 9 esemplari + 4 prove d'artista

Literature

Flaminio Gualdoni, Arnaldo Pomodoro Catalogo ragionato della scultura, Milano 2007, vol. II, n. 656, p. 612 

Condition

This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

(“Lei parla delle mie sfere […])  “esse sono anzitutto forme perfette, magiche, e io le rompo per scoprirne (cercarne, trovarne) le fermentazioni interne, misteriose e viventi, mostruose e pure; così provoco col lucido levigato un contrasto, una tensione discordante, una completezza fatta di  incompletezze. […] è importante il fatto che le mie sfere si possono anche spostare, ruotare: hanno così anche ‘sotto le mani’ il valore di movimento e partecipazione che hanno nella visualità” (Arnaldo Pomodoro, Per “un invito” a Venezia, intervista con Mila Pistoi, 1964)

 “first of all my spheres are perfect and magic forms, what I do is to break them to discover and point out their internal, arcane, mysterious and pure aspect; with the smooth surface I create an high contrast and tension with the rest of the sphere but the result it is an organic and complete work. […] it is important to notice that my spheres are also movable and rotatable: in a way it is possible to touch their movement and participation in the visual world” (Arnaldo Pomodoro, Per “un invito” a Venezia, inetrview with Mila Pistoi, 1964)