While the search for an aspect of human interaction was
already to be found in the Lamiere, it is with the Intersuperfici
– initially titled Zone riflesse [Reflected Zones], underlining
the relationship between different visual and spatial planes –
that Scheggi discovers a path entirely his own, developed as
a natural enrichment of the entirely spatial and conceptual
complexities outlined by Lucio Fontana, and corroborated
by his active, first-hand participation in the uncompromising
avant-garde milieu of the Milanese scene. [...]"
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