A Large Egyptian Wood Mummy Mask, 25th/early 26th Dynasty, circa 750-600 B.C.
- A Large Egyptian Wood Mummy Mask
- Height 13 1/4 in. 33.7 cm.
Helena Rubinstein, New York, Paris and London (Parke-Bernet Galleries, New York, The Collection of Helena Rubinstein, Princess Gourielli, April 21st-22nd, 1966, no. 252, illus.)
the Collection of Mr. and Mrs. Klaus Perls, New York (Sotheby’s, New York, June 1st, 1995, no. 51, illus.)
The wood stand bears the stamp of Japanese wood artist Kichizô Inagaki (1876-1951). His bases are celebrated as works of art for their own sake because each is created to fit its sculpture perfectly, sculpture and base ultimately unifying as a cohesive object. Beyond bearing the mark of such a distinguished woodworker (literally stamped with his artist name, “Yoshio”), works mounted on bases by Inagaki share the provenance of having been on the Parisian art market between 1911 and 1951. While working for Joseph Brummer, Inagaki made prestigious connections among key dealers, collectors, and avant-garde artists in early 20th century Paris and thereby gained his greatest commissions. Auguste Rodin, for example, put Inagaki in charge of creating bases for his entire collection of antiquities in 1912. Inagaki also worked closely with dealers Dikran Khan Kelekian, Charles Ratton, and Paul Guillaume, and created bases for the majority of Albert Barnes’s sculptures.