Diego Giacometti

Acquired directly from the artist by a private collector, circa 1980
Thence by descent 
Phillips New York, May 11, 1999, lot 38
Acquired from the above by the present owner

Françoise Francisci, Diego Giacometti, catalogue de l'oeuvre, vol. I, Paris, 1986, p. 91
Daniel Marchesseau, Diego Giacometti, Paris, 1986, pp. 146-147

Overall in very good condition. The bronze surfaces with a sensitively applied wax finish that emphasizes the sculptural nuances of the surface. The bronze elements show a wonderful contrast of deep nuanced greens and subtle russet brown highlights and a rich gilt patina to the foliate decoration. The bronze with a few minor surface scratches, minor isolated areas of rubbing, and a few minute abrasions consistent with age and gentle use. The glass top appears to be later and presents with minor chips to each of the edges, the largest one measuring approximately 1 ½ in. in length. This table combines dynamic floral ornamentation with wonderful naturalistic sculptural animals. An outstanding example that epitomizes the highest artistry of Giacometti deeply sculptural table forms. ---
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Diego Giacometti’s innovative approach to design and craftsmanship made him one of the most celebrated and sought-after artists of post-war Paris.  By sculpting his works in clay or plaster, he was able to achieve an impressive level of detail in his playful renderings of animals, and the irregular surfaces and fingerprints reveal the artist’s process of kneading and pressing the clay into form.  In the present lot, the composition itself becomes an environment inhabited by frogs and birds and shaded with golden leaves.  Here, Giacometti combines dynamic figural ornamentation, naturalism of subject and medium, and graceful linearity of form in a way that bridges sculpture with furniture.