- 78
John Frederick Herring Sr.
Description
- John Frederick Herring Sr.
- Sir Mark Wood with his dark brown filly Vespa, winner of the Oaks in 1833, her trainer H Scott and a groom with a grey hack
- signed JF Herring and dated 1833 (upper right)
- oil on canvas
- 28 by 36 in
- 71.1 by 91.4 cm
Provenance
CV Whitney
Mrs. E. Whitney Tippett, Upperville, Virginia
Mr. Jack R. Dick (and sold, his sale, Sotheby’s London, October 31, 1973, lot 15)
Richard Green, London, 1973
Sir Charles Clore
Leger Galleries, London, 1989
Richard Green, London, 1989
Mr. John W. Kluge, Morven, Virginia
Exhibited
Literature
Condition
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
Catalogue Note
In 1834 Vespa, again ridden by Chapple, won the Oatlands Handicap at Newmarket Craven, beating the Duke of Cleveland’s Trustee by two lengths. She won the King’s Plate at the Newmarket First Spring Meeting and the King’s Guineas at Chelmsford, before being sold to Count Hunyady and sent to Hungary.
Sir Mark Wood was a leading owner in the 1830s. He came from a Perth family who descended from the ancient Wood family of Largo. His father Sir Mark Wood, 1st Bt. (1750-1829) was a Colonel in the East India Company and Chief Engineer of Bengal. He owned estates at GattonPark, Surrey and Llandaf Court and elsewhere in Glamorganshire. The elder Mark Wood became head of the family in 1777 on the death of his cousin John Wood and was created a Baronet in 1808. The second Sir Mark lived in Pall Mall and at HarePark, Cambridgeshire. He died without issue in 1837 and the Baronetcy became extinct.
John Frederick Herring made another version of this painting, almost identical in composition and size. It has a slightly less dramatic sky and is signed at the bottom of the stable door, rather than at the top as in the present picture (see Beckett, under no. 60).