- 23
Giovanni Segantini
Estimate
10,000 - 15,000 CHF
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Description
- Giovanni Segantini
- Al vaglio
- Kohle und Aquarell auf Papier
- 34.5 x 24 cm
- 34.8 x 24 cm
Provenance
Sammlung Vittore Grubicy, Milan (bis 1920)
Sammlung Benvenuto Benvenuti, Antignano di Livorno (bis 1999)
Sammlung Ilaria Bastoni, Rovereto
Privatbesitz (gekauft vom aktuellen Eigentümer im Mai 2005)
Sammlung Benvenuto Benvenuti, Antignano di Livorno (bis 1999)
Sammlung Ilaria Bastoni, Rovereto
Privatbesitz (gekauft vom aktuellen Eigentümer im Mai 2005)
Exhibited
Zürich, Kunsthaus/München, Villa Stuck/Milan, Compagnia del Disegno, Giovanni Segantini Zeichungen/Giovanni Segantini disegni, 1978
Trento/Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Segantini. La vita, la natura, la morte. Disegni e dipinti, 1999/2000, Nr. 28
Trento/Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Segantini. La vita, la natura, la morte. Disegni e dipinti, 1999/2000, Nr. 28
Literature
Teresa Fiori, Archivi del Divisionismo, Officina Edizioni, Rom 1969, Bd. II, S. 29, Nr. 286, S. 73, abgebildet
Giovanni Segantini Zeichnungen/Giovanni Segantini disegni, Ausstellungskatalog, Zürich/München/Milan 1978, S. 20, Nr. 15, S. 41, abgebildet (Kornsieben)
Annie-Paule Quinsac, Segantini, Catalogo generale, Milan 1982, Bd.II, S. 313, Nr. 386, abgebildet
Gabriella Belli/Annie-Paule Quinsac, Segantini. La vita, la natura, la morte. Disegni e dipinti, Ausstellungskatalog, Trento/Rovereto 1999, S. 224, Nr. 28, S. 107, abgebildet (in Farbe)
Giovanni Segantini Zeichnungen/Giovanni Segantini disegni, Ausstellungskatalog, Zürich/München/Milan 1978, S. 20, Nr. 15, S. 41, abgebildet (Kornsieben)
Annie-Paule Quinsac, Segantini, Catalogo generale, Milan 1982, Bd.II, S. 313, Nr. 386, abgebildet
Gabriella Belli/Annie-Paule Quinsac, Segantini. La vita, la natura, la morte. Disegni e dipinti, Ausstellungskatalog, Trento/Rovereto 1999, S. 224, Nr. 28, S. 107, abgebildet (in Farbe)
Condition
Upper edge slightly lifting. Traces of humidity along the upper edge and in the upper half of the composition, most notably a round blob underneath the emptying basket. Foxing in the upper half, two more pronounced spots to the upper centre and right.
Otherwise in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Entstanden um 1883.