A variant composition, less finished and with the figural elements done on a smaller scale, was in a private collection in 1969 where it was ascribed to Francesco Giuseppe Casanova.2
1. See exhibition catalogue, Compiègne, Musée national du Palais de Compiègne, L'Aigle Blanc: Stanislas Auguste, dernier roi de Pologne, collectionneur et mécène au siècle des Lumières, 2001, no. 20 (entry by R. Matuszewski), reproduced.
2. See C.-G. Marcus, “Francesco Casanova, peintre européen,” in Art et Curiosité, No. 26, January-February 1969, p. 18, reproduced p. 13, fig. VI.
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