Thomas Willeboirts, called Bosschaert

Count Cavens, Brussels.

Brussels, Galerie Royale, Les 100 Portraits, 1 May - 1 June 1909, no. 15 (as Van Dyck);
Brussels, Palais des Arts de Somzée, Rubens et les Peintres du XVIIe siècle; exposition de tableaux anciens appartenant au Cte. Cavens, 20 August - 1 November 1920, no. 28 (as Van Dyck).

A. Heinrich, Thomas Willeboirts Bosschaert, Turnhout 2003, vol. I, p. 195, cat. no. A31a*, reproduced vol. II, fig. 51 (as Bosschaert).

The canvas has been relined, and is in fine condition. Visible to the naked eye are a few discoloured small sport retouchings: on the Saint's left and right forearms, on his right thigh, in the broken tree stump left and above the rock on the right. There is craquelure throughout, but the paint surface is secure Inspection under UV light shows frame rubbing on upper and right edges, and a restored leaf upper right also along the edge. Also a few specks on the saint's abdomen, and a repaired tear in the canvas in the lower part towards the right of the centre. This tear has been well- restored and is not detectable by the naked eye. This lot is offered in an old wood frame, painted with black and gold design, and in fine condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Datable to the 1640s and formerly considered to be a self-portrait by Van Dyck in the guise of Saint Sebastian.