169
169

PROPERTY FROM THE COLLECTION OF THE EARLS OF WARWICK

Studio of Sir Anthony van Dyck
PORTRAIT OF A MAN WITH A GLOVED HAND
JUMP TO LOT
169

PROPERTY FROM THE COLLECTION OF THE EARLS OF WARWICK

Studio of Sir Anthony van Dyck
PORTRAIT OF A MAN WITH A GLOVED HAND
JUMP TO LOT

Details & Cataloguing

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Studio of Sir Anthony van Dyck
ANTWERP 1599 - 1641 LONDON
PORTRAIT OF A MAN WITH A GLOVED HAND
inventory number 24 etched into the reverse
oil on canvas
107.8 by 87.8 cm.; 42 3/8  by 34 1/4  in.
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Provenance

George Greville, 2nd Earl of Warwick (1746–1816), by 1800;
Thence by descent.

Exhibited

Leeds, National Exhibition of Works of Art, 1868;
London, Grosvenor Gallery, Exhibition of the Works of Sir Anthony van Dyck, 1887, no.116;
London, Guildhall, Loan Exhibition, 1892, no.111;
New York, Metropolitan Museum of Art, on long term loan.

Literature

Anon., 'Pictures and Articles of Curiosity', in Inventory of the Contents of Warwick Castle,(Warwickshire Record Office CR1886/466), ms., circa 1800, n.p., hanging in the Little Dining Parlour;
Anon., Inventory of the Contents of Warwick Castle, ms., 1806, in the Little Dining Room;
W. Field, An Historical and Descriptive Account of Leamington Spa, Warwick 1815, pp. 210, 214 ('Count Gondomar - by Valasquez de Silva [sic]'), in the Breakfast room, opposite the fireplace - right side;
S. Woodburne, Notes on the Paintings at Warwick Castle, 1832, no. 35 (‘not Gondomar but a true Van Dyck – of a Fleming I think’), in the First Drawing Room;
H. T. Cooke, An Historical and Descriptive Guide to Warwick Castle…, Warwick 1847, p. 77 (‘A very fine Flemish portrait, by VanDyck;.. This painting has by many been supposed to have been painted by Velasques (sic)’), in the Breakfast Room;
Cooper’s, History of Warwick and Guide to the Castle, illustrated, 1850, p.107;
G. Waagen, Treasures of Art in Great Britain, vol. III, London 1854, vol. III, p. 212;
F. E. Warwick, ‘Warwick Castle’, in The Pall Mall Magazine, vol. XI, January – April 1897, p. 40 (‘Diego Sarmineto de Acuna, Conde di Gondomar (Spanish Ambassador at the Court of James I) by Van Dyck’), in the Chapel Passage;
Anon., mss. 1900, in the Billiard Room Passage (mentioned as being described at the castle as by Velazquez);
Anon., Inventory of the contents of Warwick Castle, 1959, p. 35, in the Red Drawing Room;
E. Larsen, The Paintings of Anthony van Dyck, Freren 1988, p.131, no.319 (as Van Dyck);
S. J Barnes et al., Van Dyck, A Complete Catalogue of the Paintings, London 2004, p. 218, under no.II.84 (as a good copy).

Catalogue Note

Barnes (see Literature) records the prime version of this composition as the canvas of oval format in a Swiss private collection. Following inspection of the Warwick version in April 2014 Rev. Barnes noted its quality, such that she would not rule out its being partly or all by Van Dyck himself. 

The sitter has been previously identified as 1st Count of Gondomar (1567-1626), Spanish Ambassador to James I. This identification, however, has no merit as the sitter bears no resemblance to known portraits of Gondomar, nor indeed does he appear a man of over fifty years of age. He has also been identified as the Principe d'Angri, the title held at this time by Marcantonio Doria (b. 1572) and whose known portraits likewise do not resemble the present sitter in the slightest (see, for example, P. Boccardo, Van Dyck a Genova, exhibition catalogue, Genoa 1997, figs. 22 & 23).

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