- 43
Narayan Shridhar Bendre
Description
- Narayan Shridhar Bendre
- Untitled
- Signed and dated in Devanagari lower right
- Oil on canvas
- 91.4 by 121.9 cm. (36 by 48 in.)
- Painted in 1991
Provenance
Acquired from the above by Dr. Madhav Kamat and Sukanti
Acquired from the above by Mr. and Mrs. Parikh, 2004
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
From the late 1960's, women become a focal point in Bendre's work, his inspiration was always drawn directly from the world around him and these familiar scenes were painted with deceptively little stylisation or modelling. He states 'I belong to this earth. I walk on this earth, and I don't think of anything but this earth. Things here are my kind of library, I'm not interested in anything else. As such I don't create dream paintings. Whatever I have experienced in this world I paint. Other things are not important to me.' (N. S. Bendre: Drawings and Paintings, Vadehra Art Gallery Exhibition Catalogue, 1992). In the present work, Bendre deliberately utilises a limited palette, with the scene depicting a tranquil moment that reveals the natural interdependency between people and their environs. As the artist states, “Man is the centre of my universe, along with his emotions, his love, his social intercourse, his surroundings.”(N.S. Bendre, “My Painting", Bendre: The Painter and The Person, The Bendre Foundation for Art and Culture & Indus Corp., Toronto, 1990, p. 63).