Lot 181
  • 181

Jean-Louis Couasnon, 1747 - 1802 Portrait de Madame Perriere de Mausny, 1782

Estimate
15,000 - 25,000 EUR
bidding is closed

Description

  • Jean-Louis Couasnon
  • Portrait de Madame Perriere de Mausny, 1782
  • buste en terre cuite; sur un piédouche en bois tourné; signé et daté COUASNON. f. 1782
  • Haut. 65 cm; height 25 2/3 in.
étiquette au dos, sur laquelle on lit Madame Perrière de Mausny, (une arrière-grand-mère Parisot)

Literature

M. Beaulieu, 'Le buste d'Emilie Brongniart par J.-L. Couasnon', dans Revue du Louvre, 1974, p. 105-108, n° 2. Cat. exp. Skulptur aus dem Louvre. Sculptures françaises néo-classiques 1760-1830, Paris, musée du Louvre, 1990, p. 222-223, n° 78.

Condition

Very good condition overall with some fine firing cracks visible at several places, a few minor chips to the edges of the drapery and some inclusions. The wooden base with remains of black laquer.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Elève de Jean-Baptiste d'Huez, Jean-Louis Couasnon travaille pour les Menus Plaisirs en 1777, pour lesquels il réalise des cartons peints de Louis XVI et Marie-Antoinette. Il expose au Salon de la Correspondance en 1779 et en 1785, et aux Salons du Louvre de 1795 en 1802. Couasnon excelle dans l'art du portrait, notamment d'enfants, dont il rend les expressions avec une grande douceur et ressemblance, non sans rappeler les oeuvres de Houdon. En 1784, il sculpte le buste de la jeune Alexandrine-Emilie Brongniart (1780-1847), fille de l'architecte Alexandre-Théodore Brongniart (Louvre (RF.2822), le portrait de Charlotte Cruchy en 1775 (musée Carnavalet) et celui de François-Benoît-Fortuné de Pluvié, dit Guibert (1779-1799), âgée de cinq ans, au musée du Louvre (RF 2039).