62
62

PROPERTY FROM THE COLLECTION OF THE LATE STANLEY J. SEEGER

Kay Sage
LE PASSAGE
Estimate
70,00090,000
LOT SOLD. 4,338,500 GBP
JUMP TO LOT
62

PROPERTY FROM THE COLLECTION OF THE LATE STANLEY J. SEEGER

Kay Sage
LE PASSAGE
Estimate
70,00090,000
LOT SOLD. 4,338,500 GBP
JUMP TO LOT

Details & Cataloguing

Impressionist, Modern & Surrealist Art Evening Sale

|
London

Kay Sage
1898 - 1963
LE PASSAGE
signed Kay Sage and dated '56 (lower right); signed Kay Sage, titled, dated '56 and inscribed Woodbury, Conn. on the stretcher
oil on canvas
91 by 71cm.
35 3/4 by 28in.
Painted in 1956.
Read Condition Report Read Condition Report

This work is included in Stephen Robeson Miller’s Illustrated Catalogue Raisonné of the Surrealist Art of Kay Sage on microfilm reel nos. 2886-2888 at the Archives of American Art, Smithsonian Institution, Washington, D.C., under no. 169. It will be included in the forthcoming printed publication of the catalogue raisonné. We are grateful to Mr Robeson Miller for his assistance in the cataloguing of this lot.

Provenance

Catherine Viviano Gallery Inc., New York

Acquired from the above by the late owner on 21st November 1958

Exhibited

New York, Catherine Viviano Gallery, Kay Sage: Exhibition of Paintings, Collages, Drawings, 1958, no. 1

New York, Catherine Viviano Gallery, Kay Sage: Retrospective Exhibition, 1937-1958, 1960, no. 50, illustrated in colour in the catalogue

Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University; College Park, Art Gallery, University of Maryland  & Albany, Albany Institute of History and Art, Kay Sage, 1898-1963, 1977, no. 55, illustrated in the catalogue

Lausanne, Musée Cantonal des Beaux-Arts,  La Femme et le Surréalisme, 1987-88, illustrated in the catalogue

Athens, Georgia, Georgia Museum of Art; San Antonio, The Marion Koogler McNay Art Museum; Long Beach, Long Beach Museum of Art & Allentown, Allentown Art Museum, High Drama: Eugene Berman and the Legacy of the Melancholic Sublime, 2005-06, no. 35, illustrated in colour in the catalogue

Literature

Whitney Chadwick, Women Artists and the Surrealist Movement, Boston, 1985, illustrated in colour pl. III; illustrated in colour on the dustjacket

Jessica Amanda Salmonson (ed.), What Did Miss Darrington See?: an Anthology of Feminist Supernatural Fiction, New York, 1989, illustrated in colour on the cover

Whitney Chadwick & Isabelle de Courtivron (eds.), Significant Others, New York & London, 1993, illustrated p. 149

Robert J. Belton, The Beribboned Bomb: the Image of Woman in Male Surrealist Art, Calgary, 1995, illustrated p. 267

Judith D. Suther, A House of Her Own: Kay Sage, Solitary Surrealist, London, 1997, illustrated in colour opposite p. 185

Stephen Robeson Miller & Kay Sage, The Biographical Chronology and Four Surrealist One-Act Plays, New York, 1983/2011, listed in the section for 1956

Catalogue Note

Having lived in America and Italy, in 1937 Kay Sage moved to Paris. In early 1938 she saw the Exposition Internationale du Surréalisme at the Galerie des Beaux-Arts, and this exposure to Surrealism inspired a new direction in her painting. It was during this exhibition that Sage met Yves Tanguy; the two immediately fell in love, and married in 1940, after moving together to the United States.

Michael Duncan wrote: ‘[Tanguy] and Sage were one of the past century’s great artistic couples, thriving on each other’s refined aestheticism. After Tanguy’s sudden death in 1955, Sage suffered from vision problems and eventually stopped painting. Le Passage, her last self-portrait, expressing her devastating loneliness, presents an inward-turning figure, back to the viewer, who faces a barren plain of flat shards’ (M. Duncan in High Drama: Eugene Berman and the Legacy of the Melancholic Sublime (exhibition catalogue), op. cit., p. 108).

The present work by Kay Sage was sold to Stanley J. Seeger by the New York dealer Catherine Viviano in 1958. Seeger, a quiet, immensely private man, was one of the greatest collectors of his generation, whose remarkable eye led him to acquire an outstanding collection of works of art from Old Masters to contemporary painters. He was introduced to Kay Sage by Viviano in the late 1950s and a lasting friendship resulted between artist and collector.

Impressionist, Modern & Surrealist Art Evening Sale

|
London