- 227
Eva Gonzalès
Estimate
120,000 - 180,000 USD
Sold
31,250 USD
bidding is closed
Description
- Eva Gonzalès
- Portrait de femme
- Signed Eva Gonzalès and inscribed Étude corrigée par mon Maître M. Édouard Manet, Valence-1869, Oloron-1870 (upper left)
- Oil on canvas
Provenance
Henri-Charles Guérard, Paris (the artist's husband)
Private Collection, Paris
Private Collection (acquired from the above in March 1969)
Private Collection, Paris
Private Collection (acquired from the above in March 1969)
Exhibited
Coral Gables, Florida, Lowe Art Museum, French Impressionists Influence American Art, 1971, no. 46
Winston-Salem, Salem Fine Arts Center & Raleigh, North Carolina Museum of Art, Women: A Historical Survey of Works by Women Artists, 1972, no. 25, illustrated in the catalogue
Winston-Salem, Salem Fine Arts Center & Raleigh, North Carolina Museum of Art, Women: A Historical Survey of Works by Women Artists, 1972, no. 25, illustrated in the catalogue
Literature
Linda Nochlin, "Why Have There Been No Great Women Artists?" in Art News, vol. LXIX, no. 9, January 1971, illustrated p. 32
Boston, Museum of Fine Arts, ed., The Rathbone Years: Masterpieces Acquired for the Museum of Fine Arts, Boston, 1955-1972, and for the St. Louis Art Museum, 1940-1955, 1972, p. 128
Marie-Caroline Sainsaulieu & Jacques de Mons, Eva Gonzalès, 1849-1883: Étude critique et catalogue raisonné, Paris, 1990, no. 16, illustrated p. 77
Jacques-Sylvain Klein, La Normandie, Le Berceau de l'impressionnisme, 1820-1900, Rennes, 1996, p. 105
Russell T. Clement, Annick Houze & Christiane Erbolato- Ramsey, The Women Impressionists: A Sourcebook, Westport & London, 2000, p. 168
Boston, Museum of Fine Arts, ed., The Rathbone Years: Masterpieces Acquired for the Museum of Fine Arts, Boston, 1955-1972, and for the St. Louis Art Museum, 1940-1955, 1972, p. 128
Marie-Caroline Sainsaulieu & Jacques de Mons, Eva Gonzalès, 1849-1883: Étude critique et catalogue raisonné, Paris, 1990, no. 16, illustrated p. 77
Jacques-Sylvain Klein, La Normandie, Le Berceau de l'impressionnisme, 1820-1900, Rennes, 1996, p. 105
Russell T. Clement, Annick Houze & Christiane Erbolato- Ramsey, The Women Impressionists: A Sourcebook, Westport & London, 2000, p. 168
Catalogue Note
The artist's own inscription acknowledges the guiding hand of her teacher, Édouard Manet in the completion of the present work.