- 303
18 Karat Gold and Favrile Glass Scarab Bangle-Bracelet, Primavesi & Kaufmann
Estimate
15,000 - 20,000 USD
bidding is closed
Description
- gold, glass
The three large favrile glass scarabs applied to the textured finish bangle-bracelet of hinged design with polished gold borders, gross weight approximately 116 dwts, internal circumference 6½ inches, with maker's mark; late 1950s.
Condition
In very good condition. Only modest abrasion to the bracelet edge, commensurate with age. Glass beetles are in very good condition, loss visible to iridescent coating to the bottom edge of one beetle, not visible from the top of the bracelet; some adhesive visible to interior of the beetle's setting, not visible when the bracelet is on.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In the late 1950’s, the Montreal jewelers Primavesi & Kaufmann (c.1954-1988) fashioned this necklace and bracelet (lots 303 and 304), using 10 scarabs from a necklace purportedly made by Tiffany & Co. around 1915. There are many examples of jewels designed by Louis Comfort Tiffany from this period which incorporate the distinctive favrile glass scarabs for which he was known. The woman who commissioned the re-design had inherited the necklace from her father (a Canadian Railroad magnate) around 1920. For her, the present bold re-design was more fashionable for the period of the late 1950’s. These jewels remained in her collection following her later move from Montreal to Palm Beach. Thence by descent, it was inherited by the present owner.
It is interesting to note that the distinctive maker’s mark for Primavesi & Kaufmann found on both lots is a graphic symbol reminiscent of the trademark associated with the Austrian design collective, the Wiener Werkstatte. It was Otto Primavesi who helped to finance the Wiener Werkstatte, so the young Thomas Primavesi must have been influenced by this association when creating such a distinctive mark.
It is interesting to note that the distinctive maker’s mark for Primavesi & Kaufmann found on both lots is a graphic symbol reminiscent of the trademark associated with the Austrian design collective, the Wiener Werkstatte. It was Otto Primavesi who helped to finance the Wiener Werkstatte, so the young Thomas Primavesi must have been influenced by this association when creating such a distinctive mark.